Local Start Time 20:02 / End Time 23:32
Info & Setlist | Venue
The 33-song set brings back "Prove It All Night". "Two Hearts" includes "It Takes Two" and "Drive All Night" includes a snippet of "Dream Baby Dream". During "I Wanna Marry You" there was a marriage proposal planned, so Bruce invited the couple on stage. A group of young girls, wearing Born In The U.S.A. outfits, is invited on stage for "Dancing In The Dark" with Bruce. Patti Scialfa is not present.
incl. Rehearsals.
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Official concert recording available for purchase in multiple formats, including CD and high definition audio, from Springsteen's official live download site at nugs.net/bruce (previously live.brucespringsteen.net).
- Running Time: 3:27:35
Intro to “Meet Me in the City”
“Good evening (crowd cheers)…”
Middle of “Meet Me in the City”
“Good evening, Baltimore (crowd cheers) are you ready to be entertained? (crowd cheers) are you ready to be transformed? (crowd cheers)…”
Intro to “The Ties That Bind”
“Alright (crowd cheers) good evening, good evening (crowd cheers) alright, alright…”The River” (crowd cheers) let’s go (crowd cheers) ”The River” was my coming-of-age record…all the records I made before “The River” were sort of young man’s records but by the time I got to ”The River” I had taken notice of things that bond people to their lives, your work, your commitments, your families, I wanted to imagine and I wanted to write about those things…I figured if I could write about ‘em and imagine ‘em, maybe I’d get a little closer to having them in my own life…I wanted to make a record that felt as big as life, that felt like an E Street Band show (crowd cheers) I wanted it to have fun and dancing and laughter and jokes and good comradeship and love and faith and lonely nights and heartbreak and of course teardrops…I figured if I could make a record big enough to hold those things, I’d get a little closer to the answers and the home I was looking for so, uh…we want you to come with us tonight when we go back down to “The River” and let’s see what we find (crowd cheers)…”
Intro to “Sherry Darling”
“Let’s hear some Baltimore party noise! (crowd cheers)…”
Intro to “Independence Day”
““Independence Day” (crowd cheers) that was the first song I wrote about fathers and sons…I think I was around 24 or 25, it’s the kind of song you write when you’re young…and you’re first startled by your parents’ humanity…you’re shocked to find that there’s other people in the house…that they might have had their own dreams and desires and hopes that…that mean to them as much as yours meant to you…that may or may not have played out for ‘em as they thought…and all you can see when you’re young are the adult compromises that they had to make to build a life…and you still can’t quite see the blessings that come with compromise so all you see is that world closing in on you and all you can think about is getting away…well, I had a simple setting for “Independence Day,” it was just a late night conversation around the kitchen table between two people that loved each other…but were struggling to understand one another…this is “Independence Day” (crowd cheers)…”
Intro to “Hungry Heart”
“Alright…you know what town I’m settling to now (crowd cheers)…”
Intro to “Crush on You”
“Baltimore! (crowd cheers) I got a crush on you!…”
Intro to “I Wanna Marry You”
“Alright now…yes, yes, yes…what do you got out there?… ”Engaged,” I see a sign almost, “Engaged…let us get” – oh, you got courage up…I’m warning you, this is a marrying song…come on up (crowd cheers) this is a marrying song…come on up, go ahead, bring your sign…we got somebody who got their courage up out there tonight…come on up…let’s see what we got…I’m with him (chuckles)…alright…come on up (crowd cheers) come on (crowd cheers) get us a microphone…alright, I’m gonna, I’m gonna turn it over to you, bro’…(crowd cheers)(a man: “You’ve been with me a long time, baby, and I love you and I wanna spend the rest of my life with you, will you do me the honor of staying with me for the rest of our lives and I can make you happy as your family wants? I love you so much, will you marry me?”) (crowd cheers) woo! you are now pronounced in the name of rock and roll husband and wife (crowd cheers) go on to the rest of your life now, alright (chuckles) (a man: “Can we get one, a souvenir?”) huh? (a man: “Souvenir”) what do you want, get a picture? (crowd cheers)…that’s just one of the services we provide here with the E Street Band (crowd cheers) here we go…here she comes walking down the street…here she comes walking down the street…she’s looking so fine, she’s looking so sweet…she’s so fine, she’s so sweet…someday I’m gonna make her mine, I know that I will…someday I’m gonna make her mine, I know that I will…someday she’s gonna stop instead of walking by… she’s gonna stop instead of walking by, she’s gonna stop instead of walking by, she’s gonna stop instead of walking…oh, little girl, little girl, little girl, little girl, little girl, little girl…little girl, little girl, little girl, little girl…oh, little girl, little girl, little girl, little girl, little girl, little girl…little girl, little girl, little girl, little girl…oh, my girl, my girl, my girl, my girl…my girl, my girl, my girl…oh, my girl, my girl, my girl, my girl…my girl, my girl, my girl…(crowd cheers)
Intro to “Cadillac Ranch”
“Come on and bury my body at the Cadillac Ranch (crowd cheers) …”
Intro to “Fade Away”
“A little Jersey soul (crowd cheers)…”
Intro to “Stolen Car”
“This is one of the first songs I wrote about men and women…that kind of got down to the nitty-gritty of it…was the blueprint for the songs I’d write later on the “Tunnel of Love,” this is “Stolen Car”…”
Intro to “Ramrod”
“Alright, let’s shake our asses to a little roadhouse music now…”
Towards the end of “Wreck on the Highway”
“Well, “The River” was about time…time slipping away now once you enter the adult life and you choose your work, you choose your partner…the clock starts ticking and you walk alongside not just the people…you love and who you’ve chosen to live your life with but you walk alongside of your own mortality…and you realize that there’s a limited amount of time…to do your work…to raise your family…and to try and do something good…to try and do something good…(music stops)(crowd cheers) that’s “The River!” (crowd cheers) thank you! (crowd cheers) thank you, Baltimore! (crowd cheers) thank you! (crowd cheers) thank you! (crowd cheers) thank you! (crowd cheers)(?)…”
Intro to “Prove It All Night”
“Alright, let’s kick it a little bit (crowd cheers)…”
Intro to “Born to Run”
“Thank you! (crowd cheers) thank you very much! (crowd cheers) thanks for coming out and seeing us tonight (crowd cheers) yes, yes…alright, this is a, uh, this is a great little building, you know, it’s, uh (crowd cheers) it’s like an over-sized Convention Hall from Asbury Park, that’s right (crowd cheers) very nice, very nice…we got a couple of friends in the building tonight, folks from the Maryland Foodbank (crowd cheers) Maryland Foodbank was the first foodbank founded on the East Coast (crowd cheers) for more than 35 years they’ve provided food to Marylanders in need, they’ll be out there, if you see them tonight, they’re, uh, your neighbors on the frontline doing good work, if you can give them a hand…and we have folks from Hero Dogs (crowd cheers) woah! they’re popular (chuckles) Hero Dogs raises and trains service dogs and places them free of charge with our nation’s Veterans to improve their quality of life and to restore their independence, Hero Dogs (crowd cheers) that’s right, that’s right, that’s right…oh…alright, gonna send this one out to them, here we go…now that we’re warmed up, here we go (crowd cheers)…”
Intro to “Shout”
“E-flat…oh, all I wanna know is do you feel alright now?…I said do you feel alright now?…I said do you feel alright now?…do you have anything left? (crowd cheers) do you have anything left? (crowd cheers) do you have anything left? (crowd cheers) oh, I wanna see it now…I want you to raise your hand now…”
Middle of “Shout”
“Sister Soozie Tyrell on the guitar, fiddle and vocals (crowd cheers) Charlie Giordano on the organ (crowd cheers) the incredible Nils Lofgren on the guitar (crowd cheers) Jake Clemons on the saxophone (crowd cheers) the Mighty Max Weinberg on the all night long drums (crowd cheers) Professor Roy Bittan on the piano (crowd cheers) Mr. Garry W. Tallent, he’s got a new album out, folks, on the bass (crowd cheers) and last but not least…the one, the only, the inimitable, the inevitable Little Steven Van Zandt on the guitar (crowd cheers) can I get a witness?…can I get a witness?…can I get a witness?…can I get a witness?…can I get a witness?…can I get a witness?…can I get a witness?…can I get a witness?…can I get a witness?…can I get a witness?…can I get a witness?…can I get a witness?…can I get a witness?…can I get a witness?…can I get a witness?…can I get a witness?…Baltimore! (crowd cheers) Baltimore! (crowd cheers) Baltimore! (crowd cheers) Baltimore! (crowd cheers) I want you to go home and I want you to tell everybody that you see that you’ve just witnessed the heart-stopping, pants-dropping, Earth-shocking, hard rocking, booty-shaking, Earth-quaking, love-making, Viagra-taking, history-making, legendary E (crowd: “Street Band!”)…”
After “Shout”
“Thank you, Baltimore, for a great night (crowd cheers) the E Street Band loves you (crowd cheers)…”
Compiled by : Johanna Pirttijärvi. |
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