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Intro to “Badlands”
“Hola, Lisboa (crowd cheers) hola, Portugal (crowd cheers)…”
Intro to “Hungry Heart”
“Alright, alright, are you hungry, Portugal? (crowd cheers) let’s go…”
Intro to “The River”
“Thank you, thank you (crowd cheers) boa noite (crowd: “Boa noite”)(chuckles) yes…”
Intro to “Spirit in the Night”
“Can you feel the spirit? (crowd cheers) can you feel the spirit now? (crowd cheers) can you feel the spirit? (crowd cheers) can you feel the spirit now? (crowd cheers) if you can feel the spirit, I want you to answer me with a “Yeah, yeah”…can you feel the spirit? (band and crowd: “Yeah, yeah”) can you feel the spirit now? (band and crowd: “Yeah, yeah”) can you feel the spirit? (band and crowd: “Yeah, yeah”) can you feel the spirit now? (band and crowd: “Yeah, yeah”)…”
Intro to “Born in the U.S.A”
“Thank you, obrigado, obrigado (crowd cheers) Lisboa, yeah…yes, yes, thank you for welcoming us here to Rock in Rio (crowd cheers) thank you for asking us back (crowd cheers) te amo (?) (chuckles) (crowd cheers) yes, yes…alright, here we go…”
Middle of “Twist and Shout”
“We got Sister Soozie Tyrell on the guitar (crowd cheers) Charlie Giordano (crowd cheers) Nils Lofgren (crowd cheers) Jake Clemons (crowd cheers) the Mighty Max Weinberg (crowd cheers) Professor Roy Bittan (crowd cheers) Garry Tallent (crowd cheers) Little Steven Van Zandt (crowd cheers)…(sing-along with the crowd)…
Lisboa, you’ve just seen the heart-stopping…pants-dropping…Earth-shocking…hard rocking…booty-shaking…Earth-quaking…love-making…Viagra-taking…history-making…death defying…I ain’t lying…legendary E (crowd: “Street Band!”)…”
After “Twist and Shout”
“Thank you (crowd cheers) we love you (crowd cheers) thank you, have a great night, we love you, thank you, Rock in Rio (crowd cheers) thank you (crowd cheers)…”
Intro to “This Hard Land”
“Thank you, thank you very much…one more for Lisbon (crowd cheers) one more for Portugal…thank you for a lovely welcome…”
After “This Hard Land”
“Thank you (crowd cheers) goodnight (crowd cheers)…”
| Compiled by : Johanna Pirttijärvi. |